Showing November 1, 2018 – December 31, 2018
Encaustic is an ancient medium that incorporates beeswax and pigment, and is traditionally painted onto a rigid, absorbent surface such as a wood panel.
Starting in the 1950’s with Jasper Johns, contemporary artists have been experimenting and stretching the boundaries of this versatile medium.
For this exhibit, we are expanding the edges of traditional encaustic painting, as contemporary artists are continuing to do around the globe. Techniques we are working with include encaustic printmaking, collage, photography with wax, and some assemblages. Use of encaustic paint is the unifying element across our creative expressions.
While encaustic is becoming more popular with artists today, it is still widely unknown to much of the viewing public.
Artist Bios
Kim has studied fine art drawing and painting at College for Creative Studies, Detroit, and Academy of Art University, San Francisco. She has received many awards and her work hangs in private and corporate collections. Kim teaches oil and acrylic painting at several local art centers in the southeastern Detroit area and at her studio in Van Buren Township.
“Art for me is a means of communicating about our environment, our lives, sharing our experiences, and reflecting how they inform each other.” Her exhibits include several solo shows as well as numerous regional and national exhibitions—both invitational and juried competitions. Her work has appeared in Encaustic Arts magazine, as well as the Studio Visit publication, and is in a number of private collections, including at Detroit’s Historic Trinity Church. Candace teaches encaustic workshops and works from her studio in Berkley (MI).
leert2@sbcglobal.net
In the past few years, she has added the study of encaustic. This provides a new art form to explore. The encaustic process is also an asset in providing an additional dimension to other printed images.
All her work builds on past experiences and artistic explorations. Many of her images are a combination of scavenged natural and man-made items. A supply of bits of prints and other detritus is kept on hand in the print shop. She will frequently tear down older prints and overprint them, use as chine-collé pieces or in a collage. Currently cold or hot wax adds additional interest.
lysrian@gmail.com
Ruth was the first Artist in Residence at Detroit’s Swords Into Ploughshares Gallery and Peace Center. She designed and facilitated workshops for children, senior citizens, and homeless adults. Her work has been exhibited in galleries and juried shows in Ohio and Michigan.